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A towering figure in American culture and a global

twentieth-century icon, Bob Dylan has been at the centre of

American life for over forty years. The Cambridge Companion to Bob

Dylan brings fresh insights into the imposing range of Dylan's

creative output. The first Part approaches Dylan's output

thematically, tracing the evolution of Dylan's writing and his

engagement with American popular music, religion, politics, fame,

and his work as a songwriter and performer. Essays in Part II

analyse his landmark albums to examine the consummate artistry of

Dylan's most accomplished studio releases. As a writer Dylan has

courageously chronicled and interpreted many of the cultural

upheavals in America since World War II. This book will be

invaluable both as a guide for students of Dylan and

twentieth-century culture, and for his fans, providing a set of new

perspectives on a much-loved writer and composer.

Acknowledgments vii

Notes on contributors viii

Chronology of Dylan’s life xii

A Dylan’s lyrics xviii

Introduction

Kevin J. H. Dettmar

Part I    Perspectives

　1　　Bob Dylan and the Anglo-American tradition

　　David Yaffe

　2　　Bob Dylan and Rolling Thunder

　　Michael Denning

　3　　Bob Dylan as songwriter

　　Anthony DeCurtis

　4　　Bob Dylan as performer

　　Alan Light

　5　　Bob Dylan and collaboration

　　Martin Jacobi

　6　　Bob Dylan and gender politics

　　Barbara O’Dair

　7　　Bob Dylan and religion

　　R. Clifton Spargo and Anne K. Ream

　8　　Bob Dylan and the Academy

　　Lee Marshall

　9　　Bob Dylan as cultural icon

　　David R. Shumway

Part II   Landmark albums

　10　　The Freewheelin’ Bob Dylan (1963)

　　Eric Bulson

　11　　Bringing It All Back Home (1965)

　　Jean Tamarin

　12　　Highway 61 Revisited (1965)

　　Robert Polito

　13　　Blonde on Blonde (1966)

　　Michael Coyle and Debra Rae Cohen

　14　　The Basement Tapes (1967; 1975)

　　Alex Abramovich

　15　　Blood on the Tracks (1975)

　　Carrie Brownstein

　16　　Infidels (1983)

　　Jonathan Lethem

　17　　“Love and Theft” (2001)

　　Eric Lott

　　Works cited

Index

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